big with: chris carrier chris lattner, chris wood, nick curly, jimster, luke solomon, varoslav, mr. statik, tini, technasia, steve lawler, robert dietz, retrac, osunlade, dan drastic,.. our second imprint on >deep series< features an up-andcoming artist from moscow. as a studied pianist kammerton knows the fine art of funk and soul, which serves him well in writing mesmerizing deep house and dub techno. his dj-sets have been compared to the likes of moodyman or theo parrish, giving you high quality unapologetically. on the a1 you will find >take off<, a funky house tune founded on subsonic bass-rolls underneath gently tweaked sequences. this groove to make you move will get any floor going with its characteristic live arrangement. >infuse< on the flip is somewhat slower at 110bpm and surprises with broken beats, chords and vibras - the real funk. the b2 >fosters hats< has shown its full potential in the club, with a steady build-up of drums and chores. this peace of black gold belongs into every house-dj bag!

chris mitchell presents to us two potent tracks for his debut release on plan b recordings. label mates, dakini9 & amir alexander give us their take with remixes of each track. the a side track >lonely nights< has a deep house edge which can work well on on any dance floor. the b side >worker ants< track is a bit more spacey with robotic glitches & gritty synths.

one of the most sought after tunes about right now >shining< has be killing dancefloors all over the world… from fabio to grooverider, goldie, tc, djss & dj die to name just a few big hitters who have been playing this track … this e.p is a wonderful selection of musical drum & bass of the highest quality. so take a leap of faith & get your copy now. backed with >the return<.

when your debut dubstep track has a clip posted on the ukf dubstep youtube channel and it racks up over 500.000 plays in 2 weeks, people take notice. for xilent, this was exactly how his track >choose me ii< announced itself to the world. shortly after ukfs patronage (alongside subfocus dropping a beta version in a much blogged guest mix), zane lowe started playing the track on his radio 1 show and suddenly xilent is making an almighty noise.

ovum is excited to bring you the debut ep from nico lahs. many know him from his tracks on 8 bit and for his ovum debut he has delivered two incredible slices of deepness. the clouded visions ep harkens back to the classic early ovum sound but this is clearly a 2011 version of it. the a side >late night< is deep, but yet pumping for any dance floor. the sound is reminsicent of a mid 90s mood ii swing, but with an updated twist. this will move any floor and is shore to be heard all over this summer. >all i desire” has a classic ny feel, with the only thing missing possibly being a husky male vocal. this track can take you back to the shelter. two amazing deep productions from a talent who is clearly on the rise!

bedroom community broadens the scope with their newest release: en garde by puzzle muteson, a mysterious, intimate record by a fearless songwriter and lyricist from the windswept isle of wight. arranged and produced by collaborators and labelmates nico muhly and valgeir sigurdsson, en garde is a strange, comforting and alarmingly personal record. driven, spare lyrics are hoisted high by vocals of steady, sturdy tremble. each tune swells with plush guitar pluck in a sea of orchestration and electronics. recorded in the greenhouse studios in iceland, the album collects puzzle muteson s odd and beautiful stories - about love and horses, rust and polar bears, heartbreak and birds. puzzle s songs are curious sounds from a troubled heart and his lyrics are urgent and open, striking a note with their vulnerable memories. i was once a horse is an unforgettable song about nostalgia. the first single and title track, en garde , pits puzzle s longing against waves of dense strings and jagged rhythm, while perspex disguise sets his naked, translucent vocals against shimmering piano that refracts off epic chords. in flamingo head he sings, i left your house. you let me. i left you ugly , buffeted by guitar and distant murmurs. not a single thing could take this magical sight. i ll find you still , he sings in medusa , the story of a man tracking down a lost love. like many bedroom community recordings, en garde takes an unexpected and unique voice and elevates it out of any easily discernible pocket. puzzle muteson could be folk or something completely different - instead he s an intense stranger from the isle of wight - at once both familiar and unfamiliar. en garde heralds a haunting and essential new voice, beautiful, earned and yearning

vinyl edition to the fania release! stock will be very limited!the project is a marriage between old and new,a fresh take on classic sounds from the fania archives.late last year, fania records hand-delivered the original multi-tracks in a battered cardboard box to joe claussells nyc studio.each track was approached and assembled differently, each on its own terms. as joe says,some songs were edited,some were time-stretched many parts were re-recorded some new parts were recorded on top.the first disc features nine classic fania tunes from lou perez, celia cruz,eddie palmieri, ray barretto and more,all re-worked with the joe claussell touch!

on the a we find joris voorn locked in a dream-team combo with rejected regular, nic fanciulli. on the b its the turn of the younger fanciulli to take center stage with joris on the edit. enjoy!

lory ds idiosyncratic take on techno is an all-analogue assault on the senses, a soundtrack to the end of the world punctured by shards of acid and twisted metal soundscapes. a john carpenter for the rave generation, so to speak. the enigmatic lory is something of a legend in his native city of rome, where the former dmc champion was responsible for introducing his compatriots the sounds of techno, acid and hardcore with 5.000 strong raves featuring ritchie hawtin, underground resistance, joey beltram and lfo. his label sounds never seen was the soundtrack to these raves – an industrial yet sometimes beautiful vision of techno where drexciya, frankie bones and spk jammed in the roman sewers.

if you will permit me to get a little honors english on yall, classical scholar sir richard livingstone once stated that >our danger is not too few, but too many options ... to be puzzled by innumerable alternatives.< say what? well, take flo ridas predicament on new david guetta single where dem girls at: upon stepping into the club, so many fly females catch his eye simultaneously that he finds himself incapable of deciding where to begin. as hes struggling to resolve this deadlock over the veteran djs stark synths and four-on-the-floor percussion, an especially alluring specimen swoops in to make the decision for him - not only is she gonna kick it with him, but shell bring her equally fly friends along for the ride. playing the woman in question, young money heavy-hitter nicki minaj attacks the beat as only she can, dropping what may well be her most off-the-wall guest 16 since monster. so, readers, this dancefloor-scorcher + remixes on this vinyl will whet your appetite for more body-moving bangers, no doubt about that

jeremy glenns >new life ep< is filled will sun-drenched euphoria, it comes bearing soul, embraces jeremys natural pop sensibilities and celebrates the underground scene thats shaped him as a dj. the title track takes us down to the beach with its 90s pads and thumping bass line to hang out with mitch buchanan, >found a love< reminds us of a rare vintage cut that the revenge or jacques renault dig up (check that acid line!) while >overtime oozes of prince. alex barck of jazzanova also rolled out a cheeky feel good remix of new life. its sure to make you grab a partner, throw them into a twirl or two and play an air bass guitar. already jeremy glenn has shared the decks with james murphy, tensnake and andy butler as well as performing live alongside dam-funk, aeroplane, and alexander robotnick. check the video by dakota of >new life< and take in all 80s boobs, 90s muscle, yachts and tiger fades

das debütalbum der gruppe von januar 1967 enthält den welthit light my fire und den song the end, der unter anderem durch den film apocalypse now wieder bekannt wurde und dessen originalaufnahme teilweise auf plattenaufnahmen wegen seines textes zensiert wurde. dabei handelt es sich um die griechische sagengestalt Ödipus, ein königssohn, der unwissentlich seinen vater tötet, seine mutter heiratet und mit ihr schläft. die textzeilen: „father i want to kill you, mother i want to fuck you“ erschienen der Öffentlichkeit als zu vulgär, wenngleich schon seit jahrtausenden selbige szene in den theatern aufgeführt wurde. weiterhin enthält das album das brecht/weill-lied alabama song.

last year put leeds-based producer midlands (aka harry agius) name on the map with his successful collaboration with hessle audios ramadanman, >your words matter< on aus music. this year, aus label chief will saul has invited midland back to take a solo swing. its an excursion that explores the boundaries of 2-step, uk garage and techno and consists of two original tracks. on the a side >through motion< shows midlands ability to seamlessly take the spirit of uk garage and fuse it with techno. the tracks moody piano melody is punctured by a dark, pitch-shifted vocal and encircled by the warm atmospherics that have become his trademark. on the flip side is >shelter<, a brooding and cavernous affair whose vocals and whispery atmospherics make this the perfect late night tool.

benoit & sergio dont make dance tracks—they tell stories. in the washington dc duos music, a sense of place and narrative infuse their rhythms and melodies, transcending having flexed their synth-pop muscles on releases for dfa (the acclaimed boy trouble ep) and visionquest (the lovelorn where the freaks have no name ep), dc duo benoit & sergio return to spectral sound for a victory lap around the dancefloor. and >let me count the ways< is just that, sounding every bit the perfect, hands-in-the-air final anthem of the evening. tireless hi-hats push the beat onward and dreamy synthesized strings saturate the stereo space as sergio intones, >let me count the ways / the ways that ive loved.< as the line repeats, its meaning bends to fit the songs tone of endless, time-suspended romance: its not the loves that matter in the end, but the ways. its not the destination, but the journey. the b-sides >let me count the ways (autumn version)<is a vastly different take on the original?s maximalist swell. stripping the beat back to its bare essentials and building them up again over nearly 12 minutes, the >autumn version< recalls arthur russell?s more minimal moments down to its wobbly bass filigree and mumbled vocal samples. by the end of the track, the claps are falling on the twos and fours like crinkly foliage, synths are sizzling like firewood, and benoit & sergio?s newest banger is revealed in its full glory once again.

absolute stonking techno turnaround from hotflushs sigha ! 3 tracks to change the game, serious business ! back to normal releases now for blueprint after the final instalment of regis and ruskins ost-traumatic son project. emerging from the more experimental side of the dubstep scene in late 2008 with a number of releases on the much lauded hotflush recordings imprint, sighas sound has evolved into a deep, dark, introspective take on techno. he has also worked with echocord, metalheadz and immerse among others and runs the >our circula sound< label.

incarnations are back with an overwhelming 12 inch, just in time for the summer. remix action comes from ilya santana and his trademark spacediscopop, wareika bringing the deepness and rayko offering a shot of synth-driven discoid eighties. >meet me at midnight< is an exquisite hand-crafted pop piece, where you can clearly hear echoes of america (the band, not the continent), among many other things. it has summer written all over it and allow us to say that is the kind of song that makes you a better person.
ilya santana takes the original and drives it deep into space, without losing its amazing pop feel. wareika take over >make you mine< and bring it deeper than deep, close to maurizio, in a superb remix. and last but not least, madrids own edit maestro rayko shows us his powerful approach to the song getting the most out of his synth collection!

their debut three tracker ep has a theme running through it.. yup, its all about sides. first up is a riff you may well know from trevor horn and fgth. they take the tribe groove, slow it down and strip the groove back. using just the riff from the famous 80s monster hit they cunningly carve out >two sides< as their sultry opener. next up >by my side< enlists the help of the handily associated brass section. shuffling grooves, stabby horns and muted picked guitar are the order of the day. its a perfect one for those early dj-set appetizing sections. to round things off we tone it down even further with the beautiful >by my side<. subtle tones, lazy keys and a smouldering groove. when the keys kick in during the last minute its a glorius and sublime treat. stay tuned for more sides.

the black tokyo project cd has been very successful for the enigmatic duo from detroit along with their two new japanese members ice truck and erika. remix sessions 1 embodies some of techno music hottest and charismatic artist such as bpitch control ellen allien, planet es keyboard guru niko marks from detroit and canada live impresario arthur oskan. ellen allien remix real to reel gives a tight minimal beat driven retake on an aux 88 funky groove. rounding out side a aux 88 original previously only available on the full length cd. side b shows why niko marks can take the >title track black tokyo< in a more kraftwerken sort of way with heavy beautiful strings and funkified groove. soul of black shows arthur oskan dance production skills as he delivers a bonafide minimal bass driven delight.

the fourth release on dont be afraid >west acyd shelter< takes one of the most important jazz funk records of the 1970s as its starting point. semtek rebuilds the legendary hook from scratch over a disorienting range of acid, broken and techno accoutrements leaving a tweaked out bassline stepper. photonz bring their unique lisbon via essex style to the proceedings with an >i cant believe its not garage< take on semteks beat, proving yet again that they are a force to be reckoned with in 2011. the b-side >east acyd shelter< is a sparse analogue workout that would be at home as much in legendary and much missed kings cross hangout the key, as it would in a james bond soundtrack of the timothy dalton era.

the two berlin residents and great friends, jin choi (archipel, lesizmo:r) and daso (my best friend, spectral sound) present us with the first summer tune of the year, >teer<. the original has already featured on the 5ysyst compilation and today we feature its new edit. beautifully deep, piano laden and featuring incredible vocal work, >teer< is set for a successful summer season. backing the new edit, are two stunning remixes from systematic regular, rodriguez jr. and the mighty, quenum! >due to the never ending feedback of many friends and djs we have decided to take this very different and outstanding track off the compilation and release it as a single.<
approved support by dubfire, luciano, jimpster, konrad black, tini, terry francis, adam beyer etc.

peters love of obscure disco and house shows in this solo album - wide ranging influences have gone into the musical hot-pot. take the slo-mo lazy groove of lead track and opener love is the key . this sets the sonic palette, laid back, underground and understated (but cucumber cool) throughout. deliberately absent are the commercial and pseudo-poppy sounds from the visti and meyland 2010 debut. this record is a club affair, less in your face and more all around you . for example lost in space is one part elastic groove, one part melodious, enveloping ambience and one part progressive disco groove. tracks such as i m out the door , bubble bubble and drinking in darkness are more direct, straight dance floor booty-shaking grooves. as is what you would expect from the man who has dj stamped firmly into his dna.

a little quiet so far this year but now one of the new power generation drum & bass production crews are back with an absolutely sick two part ep that is anything but quiet. michael willer and robert stefan aka body & soul have been busy, very busy creating what is undoubtedly their most explosive release to date on their own nasca records. get ready for a great big bag of awesome!
part 1 lets rip with the title track >shipwrecked<, with an ominous intro it sets the scene perfectly for whats to come with an outrageously horrid bass that snarls and pulls at its lead, snapping at anything that comes close. you d better start running though because when that lead breaks its gonna get you! add a nasty vox and the package is complete. demolition drum and bass that’s ready to take out the whole club!

oddstream, a multi-day festival of radical communication and multimedia will take place between the 1st and 5th of june 2011 in and around the vasim, a former industrial factory in nijmegen. the festival consists among others of exhibitions, multimedia installations, debates, lectures, art performances, music and film. there will be three clubnights and some of the perfoming artists are featured on this double lp, including digital audiofiles. coloured marbled vinyl. artists: applescal, grimm limbo, coco bryce & jon lemmon, stagga, kubus, t.raumschmiere, alec empire, rude 66 & sensory overload. shipwrec records is on a roll!

after releasing some highly acclaimed records on delsin tel aviv-based yoav b. releases three new tracks on the belgian meakusma label. gently rubbing shoulders with detroit techno (the way anthony shakir produces it) and hiphop, built on crazy loops and raw rhythms, the tracks are enhanced with psychedelic and playful sounds, that give them the feeling of being in continuous flux and movement. the mood here is absorbing yet ambivalent. on top of this, protect-u, from the fantastic future times camp, delivers a remix, pulling the music away from reality, firmly aiming it for the universe. with a mid-tempo house feeling, a crispy bassline and abstract synthesizer pattern, they take the listener beyond the infinite.

two cover versions taken from the essential album gitano real. >i believe in miracles< is an overwhelming take on the jackson sisters classic in a rumba funk fashion. party stomper! and on the other side, a longer trip departing from mcfadden and whiteheads seminal >aint non stoping us now< and touching the revered latin disco version of charanga 76, only to end up as a fabulous clap-driven rumba stormer. two very necessary sun-soaked tunes for any self-respecting dj on neat transparent yellow vinyl. and yes, its a limited edition!

f....g great release ! brand new artworks on material after the artistic ones! sometimes to hype over a record is good but this time let this vinyl talk..- safras, inglese,tavazzi and mr bizz!

the horses come back to jazzmin with a more disco take on house music. >acid village< is a midtempo burner that combines acid, big arpeggio bassline and moody strings with a vocal that will probably encourage you to hold your hands in the air. b-side is a remix from modern disco/funk band los charlys orchestra, by adding vocals, synths and electronic percussions to the original the horses take it to another level of floor-filling. this ep announces their forthcoming album on jazzmin, release in september!

2017 repress, the r&b ep is a selection of ground breaking, genre blurring bootlegs / edits. these tracks continue our mission to change the way we dance, from the minimal 2-step to a much freakier marcy grind. all three cuts have been a major part of our dj sets over the past few tours and everything is dance-floor approved (in some cases even with sing-a-long). it is with great pleasure that we can share this with you for this limited edition pressing! extravaganza - a guaranteed >ladies-report-to-the-dancefloor-for-booty-shake< anthem, this tune tells the story of the romance/heartbreak from a one night stand. sex in the kitchen – over by the stove, put you on the counter by the buttered rolls… its rare to get into such fine details about the culinary arts while raving, and now this bass heavy edit done changed the game. dreams of tomorrow – take one colombian jam session, add a sprinkle of lee curtiss drums and a whole lot of lonnie liston smith and what do you get? mo money

frijsfo beats are proud to announce the latest single from uk bass badman, sully, entitled >toffee apple<. picking up where his 2010 keysound single >in some pattern< left off, it sees the versatile pirate vibes-imbibed producer take purple synths and twist them into dizzying contortions. a rude drop roots the track firmly in uk soundsystem culture while a tough steppers beat drives it forward. sully is one of the most treasured yet under-celebrated producers in the uk today. finding a space between 2steps swing, dubsteps edge and breaksteps drums, his versatile productions perfected styles and vibes four or five years before the future garage movement had begun to investigate them. as the rest of the bass family are now embracing house, 2step, uk funky, purple synths and juke, sully looks to have a big 2011 ahead of him. >toffee apple< is the perfect sweetener. limited edition single-sided 10 inch release with etching on flip.

desolat is proud to present a release where veterans meet manon aka manon maeder has been part of the swiss techno and house scene since the early nineties. starting with illegal parties in bern, later involvement in legendary early days afterhours at the >oxa” in zurich, followed by first productions in 1996, residency at >hive< club and her involvement with the >vision< festival, manon is today probably more thrilling than ever before. for desolat, she delivers remarkable tracks that sound like a sonic snapshot of a balearic sunset. pat carnal speaks about manon getting lost in brasil 20 years ago and the conversation was recorded at one >formbar< afterhour. guitar virtuoso mats küpfer added his part at studio willeneger in bern. we d like to tell you more about >que cara é essa” but its probably better to listen to the music. first remix comes from another veteran and one of our heroes, stacey pullen, a kosmik messenger and an innovator from the second wave of detroit techno. he takes vocal snippets from the original and wraps them up in his trademark percussive, driving, stripped down sound. second remix comes from desolats own tini representing a new generation of electronic music talents. she turns manons original in a dark claustrophobic shaker that will gently take you by the hand and stay on your side until the next sunrise

yes borique tribez back in da house selecting the freshest techno beats for his basics imprint! gueststar david moleon got the chance to take his favourite tracks by kobaya and turned them into his style. original were killers, but these two fine gems here a masterblasters! big from start till end and will turn more heads than kate and will.

new tradition is the debut album of alexis tyrel also known as gideon. his album is full of big and small anthem tracks which are highly melodic and full of original sounds and yet great for a broad variety of dancefloors. every track has been produced as if it was a single in its genre, so do not expect any lose ends. with this 40th release on the lessismore label alexis tyrel gives another interpretation of what less is more is, as the label has displayed in its releases so far. new tradition can therefore be seen as the starting point of a new direction already announced by lessismore. this album is a melodic roller coaster taking you all over the place with deep and housy grooves, tribally beats, chordish minimalistic detroit, funky techno, deep progressive and lovely melodies. the arrangements are classic and give a timeless feel to this unique debut album. the album will be released on cd and vinyl. the release will contain remixes by gui boratto, heiko laux, estroe, gideon, ferreck dawn and mbc. early plays by: luciano, steve bug, laurent garnier, heiko laux, estroe, mark henning, luigi madonna..

fresh from their debut release – the unadulterated vintage house celebration acid dreams ep by hitsafe – intriguing young imprint shaddock now prepares to take a sharp left-hand with the pensive tones of spanish talent pilas, backed up with a stunning remix by kassem mosse.

2x12 inch & 11 track cd album shrink-wrap bundle. >nil by ear< is sate of minds third studio album, the first two being take control (uprising) & faster than light (som). this album represents the peak so far of the lads technical skills, its carefully produced from start to finish. tracks are frequently tied together, and a lot of thought has gone into the flow of the album. this is one that can be listened too from beginning to end, as opposed to a collection of singles.

code for free download of this album included.

the 12-inch sampler for >panorama bar 03< could have hardly been better. hitherto unreleased, the tree tracks on ostgut ton 47 tick all the boxes that make prosumer such a unique dj: house in its various identities. soundstore starts the triptych with >take u<. greatness and frantic fever visions go hand in hand while hitting the core of chicagos second wave: dance mania, cajual, and relief with siren-like hooks in a feverish delirium. irresistible. prosumers panorama bar fellow steffi slows down the pace. >sadness< that surprisingly did not make it on her album debut is not only the opener of the actual panorama bar mix, but also a tribute to that kind of deep house that doesnt take its prefix lightly. in the end, berlins hunee teaches you a freestyle lesson. in a similar way to the young pal joey, he feeds his sampler a well-known dish, but throws in peculiarity, rascality and deviation to get new results. after all the time, this music is still not getting a bit long in the tooth. lets take a love break.

damian and clement of dop fame return to circus company with a new project of dubbed out late night madness featuring vocalist brian brewster. far more sinister then dops recent output, 7 days features 4 tracks which explore am acidic realm of dark ruminations and swamp dredged rhythms. >introduction< aquarius starts things off with a basic channel-esque wash of chords, noise and spoken word sure to appeal to fans of berlins longstanding dub techno tradition. >so low< comes off like a chopped and screwed take on italo heard only through the mixers effect sends, where modulating analog sequences and a thundering motorik back beat desperately swim to the surface of a blackened ocean gasping for air. >before u go< lightens the proceedings ever so slightly, upping the tempo and allowing the undulating synths lines to sparkle in the periphery, while the incessant vocal encourages all self-respecting punters to stay on the floor until the last track has passed ! its final groove. finally >universe< comes off like a lost out take from kool keiths dr octagon project with its classic jacking electro beat and sultry effected vocals.

braille serves up a firing couple of tracks on rush hours direct current sub label.... tip!! braille is better known as praveen, who forms sepalcure together with machinedrum. he uses this new alias for his house orientated output. >the year 3000< is a vocal house mover of anthemic proportions. it craftily reworks a classic chicago house vocal and gives it new life back into the future. banging! >leavin without you< is built around a heartfelt vocal soul sample, which cuts in and out of the mix leaving room the music to take off leaving planet earth.

walter merlin jones is a perfectionist. a presence in the house scene since the late 80s, the dj and producer has, over the years, created thousands of undoubtedly wonderful, but unfinished, songs – a staggering collection of musical bits that have fallen victim to his tendency to be his own worst critic. yet, that same perfectionism has yielded some of the most engaging dance music of the last decade, however scant – songs that are aural proof of his preference for quality over quantity. joness first dfa release, 2009s >ill keep on loving you/living without your love<, confirmed his commitment to this idea with subtle grace and slow, seductive rhythms. now, with graceful exit – which pairs joness talents with singer ellipsis, boston producer chas bronz and saxophonist jesse allen — the new orleans-raised artist continues to showcase his discerning ear, proffering music with a modern, evolved take on discos very best virtues.

in its original incarnation, shit robots -losing my patience- – a choice cut from 2010s from the cradle to the rave — strikes a balance between iciness and warmth, with hot chip frontman alexis taylors soulful vocals melting the tracks frosty synthlines. now, hot chip and unabombers remix the track and redefine its feel. hot chips new take on the single mystifies the original with deeply cut grooves, squelching bass and taylors heartbreaking, trilling vocals, pushed to lonesome front and center. the whole procession builds to a climax of chiming keys, striking percussion and synth melodies that corkscrew firmly into your head. the uks unabombers – the dj duo of luke cowdrey and justin crawford – take a cosmic approach, laying down synths that stretch toward infinity and holding off on vocals till near the songs midpoint. the dub remix gains traction and energy in its latter stages, with a heady mix of piercing synth squeals and taylors vocalizations set on repeat, like a mantra urging party goers to the dancefloor

foot and mouth up the ante and release young edits move me up ep, the perfect balearic soundtrack for the ensuing summer hi-jinks. australian protégé, luke foskey, delivers four inspiring top drawer balearic re-edits of some familiar and not so familiar household classics. ‘how we walk on the moon is already a firm favourite of the year for tim sweeney these edits will find favour with lovers of pocket knife and cousin coles work. broken-back balearic beat biscuits for the mind noodled generation. perfect for sunrises, sunsets or campfires, expect to hear these beauties all over the summer, accompanied by obligatory, ubiquitous cheshire cat grins all round. fill yer moonboots up mate, weve got ponchos in space, im telling ya!

danish duo laid back made a most surprising comeback to the clubs in 2010 with >cocaine cool<. not that they had ever been really forgotten: their electro pop classic >white horse< remained a sure shot in clubs for the thirty years after its release 30 years back and a constant inspiration to boatload of diverse artists from techno to hip-hop. >cocaine cool< was recorded at the same session but the ironic vocals ridiculing label executives blowing up their frail ego with the chemical substance were deemed to risquee at that time, so the recording collected dust in some box until last year. bostons >soul clap< another duo hailed as one of the hotest things in clubland known for their eclectic funk-rooted taste. they opt for a cool sparser arrangement leaving out the “white horse -like chords. a loose, dry electro funk beat, hpynotic one-note synth, few dub effects and additional vocoder vocals do the trick bravorously. besides an instrumental version theres also a harder jacking dub take sounding like early chicago house edits. and while the boys are add it they also re-edited another huge one from laid back: >baker man< that managed the unlikely balancing act of not only hitting it bigtime in the charts but also in the emerging balearic scene. this 12 inch is cool in every which way!

code for free download of this release included.

big with stephan bodzin, hernan cattaneo, gregor tresher, dubfire, monika kruse, mihalis safras, butch, paco osuna, hermanez, gel abril, joris voorn. the labels first three releases have already featured such names as martinez, piemont, daniel dreier and d.diggler, backed by mixes and original productions from some jetts very own team of artists. todays release comes from the label head himself, fred siera who turns in two original cuts, bell x1 and yeager. bell x1 is a deep, driving number. moody and atmospheric with an extra long break it touches on in-flight safety details and even a touch of nancy sinatra. seriously. on the remix and fresh from the success of his tiny little widgets album is martin eyerer. staying true to the original, martin ups the ante by adding more drive and muscle. on the flip the original of yeager is another driving number. deep and percussive with a gorgeous jazzy piano break, it receives a rework from jett001 artist daniel dreier. the watergate resident injects a healthy dose of groove and ups the percussion. added strings, vocal samples as well as a splash of woodwind take the original on a new trip

its been 2 years since benny rodrigues last release on be as one and since then, the young dutch producer has pushed forward his career, both in the studio and in the dj booth. having remixed people like josh wink, dj pierre, justice, spirit catcher to name just some and released on ovum, poker flat, figure, klockworks, with a busy dj schedule in clubs as berghain or rex, at his young age benny is clearly a well respected artist. benny rodrigues interpretation of acid house takes the form of i like acid, and surely it sounds classic! acid synth madness like in the old days but with an updated touch to rock the floors in 2011. choice hypnotic appeal will not get unnoticed on the floor, once again a track that finds its strenght in the basic structure of its arrangement, effective drums patterns with a freakish top line that carry the track into peak time. steve rachmad remixes as sterac are always a treat, and here the techno legend doesnt fail to impress once again with his take on bennys i like acid. snares, hi-hats, rides and bass, all arranged to build up to a melodic and emotional breakthru, dancefloor bliss for the detroit techno heads. to close this amazing package, germanys own mike dehnert brings his trademark sound to be as one in the form of his remix of i like acid. a tune that finds its perfect habitat in dark, smokey and sweaty rooms with massive sound systems.